Bhaiaji Superhit movie Reviews

Film: Bhaiaji Superhit

Cast: Sunny Deol, Preity Zinta, Ameesha Patel, Arshad Warsi, Shreyas Talpade, Pankaj Tripathy, Sanjay Mishra, Brajesh Kala, Mukul Dev, Jaideep Ahlawat and Pankaj Jha

Director: Neeraj Pathak

Rating: **

Neeraj Pathak's endeavors to revive the vocations of a couple of overlooked stars hit a detour with 'Bhaiaji Superhit' a ludicrous, extravagant satire on Bollywood that is dry to the point that it can once in a while raise a snicker. The title legitimately suggests a hankering for a superhit equation. The Bhaiaji (Sunny Deol) in the image embarks to charm his envious, obstinate spouse (Preity Zinta) with a film about his adoration for her and the resultant is so irrational and inept that you would preferably cry over giggle.

Abandon your cerebrums is the proclamation confined in an early arrangement that has Sunny Deol as the Bhaiaji, hurl a mind noticeable all around and crush it with his dhai kilo ka haath. Might you venture to do something else? All things considered, we can't resist the urge to think when the crushing and smashing turns out to be overwhelming to the point that it begins to grind on your nerves. The spoofy, antique ridden design is a blemish, since it's not composed or organized with any insight. Plot gaps, rank unpalatable horseplay and boring showing off hold influence here.

The ridiculous scale, the absence of honesty in the plotting, awkward pace and troublesome planning abandons us covered as opposed to tickled. The misrepresented abundance of the performing artists is additionally very bothering. Also, there's no rest. Neerraj Pathak and Aakash Pandey appear to have composed this while impaired.

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Nothing bodes well here. The endeavors at satirizing Bollywood is additionally dull. The on-screen characters, however earnest, look practically like their playing out an independent in a skirmish. Deol in a twofold job is really two quite a bit of a terrible thing particularly since he watches so lost and unwell. This film is a disaster that appears to be disconnected to the point that its forsaken!

The Dark side of life: Mumbai City Full Reviews

Film: The Dark side of life: Mumbai City

Cast: Mahesh Bhatt, Kay Kay Menon, Neha Khan, Alisha Khan, Avii Pardasni, Deepraj Rana, Nikhil Ratnaparkhi, Jyoti Malshe, Gul Hameed

Director: Tariq Khan

Rating: * **

The Dark Side of Life: Mumbai City, is an annal on the dull shadows that frequent the general population who seek the city for their sustenance. About people who are pushed to the verge of sadness while doing combating passionate and budgetary issues, this film endeavors to concentrate on issues of forlornness, despondency, suicide, psychological wellness and mutual holding in an amicable way. It's a true benevolent exertion however the narrating is somewhat sideways and seems thought up. Executive Tariq Khan's endeavors to produce a socially pertinent dramatization is respectable regardless of whether not in fact sound.

The lead characters have been produced to fit into explicit 'types' living in the city. There's Stock dealer Sumit Balsaria (Kay), Parul (Jyoti Malshe), Insurance Agent Anand (Nikhil Ratnaparkhi), Cop Warren Lobo (Deepraj Rana), Wannabe Singer Prince (Avii Pardasni), Actress Kadambari Chauhan (Sayed Gul), a high support 'princess' Kavya (Neha Khan), Muslim draining heart Zulfikar Hussain (Mahesh Bhatt) and Meer Hassan (Irfanouz Zaman). Sooner or later their lives cross and we get a look at a more extensive picture – one that sends its shared concordance and mental prosperity objectives with truthfulness. Sadly the sharpness and sympathy are to a great extent missing.

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The style and structure seems propelled by Hollywood, yet the assumption and play on feelings are unadulterated Bollywood. The cinematography and exhibitions are essentially messy. Mahesh Bhatt and Kay hold their heads up however. The composing is altogether pointless with characters spoken to a great extent by their psychological pains. Mumbai is a minor setting. So the film is less about Mumbai and more about the characters and their absence of versatility. What's more, the consummation, however well implied, is somewhat long winded and along these lines unpalatable.